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Lilā Tatva: Chandrāvali is an expansion of Radharani

Lila means a drama. A drama consists of a variety of moods like Māna (anger), Avimāna (pride), Sanśaya (doubt), Lajjā (shyness), Bhaya (fear), etc. that makes it interesting. This variety of moods and plot twists in a pastime is called Lilā Vaichitri. The Chamatkriti (astonishing taste) relished by Yugal Kishore in pastimes of Prema through such Lilā Vaichitri is unique. Sometimes Yugal Kishore meet, while sometimes They don’t. When They are not able to meet each other, They become very anxious and Their yearning to meet becomes monumental. When Yugal Kishore meet with such intense yearning, the Chamatkriti relished by Them at that time is much more than pastimes where there is no separation. Although the Prema of Yugal Kishore is indestructible and uninterrupted, with the help of Lilā Shakti (Yogamāyā), They relish Nitya Navāyamāna pastimes . [The pastimes of Goloka Vrindavan are eternally new. Lilā Shakti creates new pastimes every day. The pastimes Yugal Kishore relished today wi...
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Līlā Tatva: Māna Lilā

  The relationship between the Jivatma and God is eternal. Even if Krishna wants to end this relationship, He cannot do so. Krishna sits in the hearts of all Jivatmas. The Jivatma has forgotten this Sambandha (relationship) due to Mahāmāya. To free oneself from the snares of Maya, one must remember this relationship. The more this Sambandha reawakens in the heart of a Jivatma, the more he becomes free from Maya. So, Krishna is Sambandha Tatva. Bhakti is Avidheya Tatva which is the medium to attain Krishna. Radharani, the personification of Prema, is Prayojan Tatva which is the ultimate goal of our Bhakti. It is the nature of Krishna to extremely love His devotees. Among all the forms of God, Krishna is the most Premamaya (full of love). The moment a devotee starts loving Him a little, He starts following his footsteps (to care, protect and love him). Also, He is Adoshadarshi , meaning, He never sees anyone’s faults. Attracted by such qualities of Krishna, Radharani became madly ...
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Līlā Tatva: Prema Vilāsa Vivarta

[In Baba’s humble words…] I don’t have much expertise in explaining the deep topics of Sringara Rasa (conjugal mood of love). Since devotees have requested me to speak on the topic, I must explain it based on the words of our six Goswamis, Acharyas experts in the topic of Rasa and the scriptures. If one speaks on such topics based on his own intelligence, there is a high possibility of describing things incorrectly. In Raya Ramanada Samvād, Raya Ramananda described Radha Tatva, Krishna Tatva and Prema Tatva. But Sri Chaitanya Mahaprabhu asked him to speak about deeper topics of Mādhurya Rasa. Raya Ramananda, who was Vishakha Sakhi in Krishna’s pastimes, was surprised and thought, ‘Is there anyone in this world who wants to know about even deeper topics beyond Radha Krishna and Prema Tatva? No ordinary human being can desire to know even higher topics than this. (All ordinary sadhaks strive to know their own eternal form and the Tatva of God. The highest Tatvas of God are Radha Tatva,...
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Līlā Tatva: Pastimes of Little Kanhaiya

  Pastime 1 One day, the little child Krishna was playing with His Sakhas. Suddenly, He ate a handful of the dust of Vrindavan. The Sakhas saw this and said, “Kanhaiya! We will tell mother Yashoda what you have done! You ate mud!” Kanhaiya was quite afraid that mother Yashoda might beat Him with her stick today. Nonetheless, all the Sakhas took Kanhaiya to mother Yashoda and told her everything. The Sakhas thought that if they didn’t inform this to mother Yashoda, she would reprimand them later when He would fall sick or develop a stomach pain. “Mother Yashoda, Kanhaiya ate mud!” they said. Mother Yashoda became angry. “Kanhaiya! Did you eat mud?” she asked Kanhaiya. But Kanhaiya didn’t say anything since there was mud in His mouth and as soon as He would speak, mother Yashoda would see the mud. He just shook his head to say no. “Why don’t you speak? Say yes or no,” said mother Yashoda. But Kanhaiya still shook His head and made an “uh-oh” sound to deny it. At this point, He was te...
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Līlā Tatva: Mākhan Chori Lilā

Krishna performs His Lilas to relish Ānanda and give Ānanda to His devotees. These Ānanda Lilas are full of a variety of moods, events and details of Rasa called Vaichitri. All the pastimes of God are completely blissful, but through Lila Vaichitri, Ānanda is relished in various forms. Just like how boiling milk swells up, though it does not increase in volume, Ānanda swells up (or expands) through Lila Vaichitri. In Vrindavan Lilas, Krishna and Radharani are Mugdha. They are not omniscient. The Lord of the infinite universes, who is omniscient, omnipotent and omnipresent, willingly gets veiled by Yogamaya and forgets His Lordship. He considers Himself as an ordinary person. He engages in an eternal drama with His devotees. The Director and Producer of this drama is His internal potency, Yogamaya. She not only creates each pastime of Radha Krishna but also makes it happen flawlessly. There are three potencies of Krishna: Swarupa Shakti (internal potency), Jiva/Tatasthā Shakti (margin...
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